This free series, led by experts in the field, consists of eight workshops held at CMA’s offices in New York City and streamed online.
Workshops are presented the first Tuesday of the month (October–June) unless otherwise noted. RSVP is required and space is limited.
Video of each workshop is posted online following the initial presentation.
October 6, 2015: Navigating Today’s Professional Landscape
Rebekah Heller, International Contemporary Ensemble
Since its founding in 2001, the International Contemporary Ensemble (ICE) has grown into one of the most successful new music institutions in the world, thanks in no small part to its innovative, highly-integrated approach to the business of small-ensemble music. Bassoonist and core-member Rebekah Heller discusses what it takes to run a successful ensemble in today’s performing arts environment, and how artistry and organizational savvy can—and should—coexist in a career.
Praised for her “flair” and “deftly illuminated” performances by The New York Times, Rebekah Heller is an accomplished chamber, orchestral, and solo musician. In addition to performing with ICE—where she is also responsible for individual giving—Rebekah has been a featured soloist with the Seattle Symphony Orchestra and the Nagoya Philharmonic. Her debut solo album of world premiere recordings, 100 names, was released in 2013.
November 3, 2015: The Business of Art—Is Fiscal Sponsorship or a 501(c)(3) Corporation Right For You?
Diana J. Basso, Law Offices of Diana J. Basso
Considering fiscal sponsorship? New York-based attorney, musician, and not-for-profit board member Diana J. Basso walks you through the important factors to consider, including: your long- and short-term creative goals; common expectations of fiscal sponsors; current public policy; and what it takes to form your own 501(c)(3) corporation.
The Law Offices of Diana J. Basso was founded in 2008 to serve the legal needs of New York's entertainment, fashion, music, and media community. From 2005-2008, Ms. Basso was a Litigation Associate at Beatie & Osborn LLP, specializing in intellectual property and securities fraud litigation. Prior to her work in law, Diana served as a media executive at Conde Nast, Meredith, Gruner & Jahr, Working Woman, Rolling Stone, and Village Voice Media.
December 1, 2015: Moving Forward—Self-Managing Your Career
Karen Kennedy, 24 Seven Artist Development
A seminar for emerging artists and ensembles on the essential materials needed to transition successfully into the professional world. Learn how to craft engaging web and publicity content; gain strategies for introducing your work to the public with maximum impact; and begin to identify opportunities for career advancement.
Karen Kennedy is the founder and president of 24 Seven Artist Development, an artist management firm founded in 1992 to provide full-range strategic marketing and career planning. Among her current and past clients are Kenny Barron, Stefon Harris, Jacky Terrasson, Gretchen Parlato, David Sanchez, and Camila Meza. Ms. Kennedy previously served as an executive at several major record labels including A&M Records, Perspective Records, and Silas/MCA Records
February 2, 2016: DIY Publishing: Your Work, Your Way
Allison Loggins-Hull and Nathalie Joachim, Flutronix
Allison Loggins-Hull and Nathalie Joachim explore the pros and cons of traditional and DIY approaches to publishing sheet music—as well as projects that employ a hybrid of the two—in the context of a dynamic career strategy. Learn what’s changed in music publishing, what it takes to sell and market your music on your own, and how publishing your compositions can lead to other exciting professional opportunities.
Allison Loggins-Hull and Nathalie Joachim comprise Flutronix, an acclaimed flute duo whose performances feature “a unique blend of classical music, hip-hop, electronic programming and soulful vocals” (The Wall Street Journal). The duo’s work as performers, producers, and composers has led to high-profile collaborations and performances at the Brooklyn Museum, Lincoln Center’s David Rubenstein Atrium, and WNYC’s Greenespace, as well as clinics and educational programs at The Juilliard School and the New England Conservatory.
First Tuesdays is made possible by the National Endowment for the Arts, the New York City Department of Cultural Affairs, and the Doris Duke Charitable Foundation.